This workflow is also another example how we can use look-up tables to significantly speed up our workflow in situations where some basic colour correction is required. You simply need to be experienced enough knowing really well the ins and outs of the platform itself.Ĭasey Faris has another great tutorial for us showcasing how we can easily match footage from different sources in DaVinci Resolve 12 by utilising LUTs. It’s mind-blowing how easily you can match footage from various cameras on a single timeline in Resolve 12 in a matter of minutes. The hybrid software is a no-brainer to say the least, especially given the endless possibilities it provides for the price. Whatever the case, the software remains one of the most established colour grading platforms available today with a leading position in the world of post-production solutions providing a powerful feature set that becomes more effective and efficient with every new iteration of the system. For some time now, there is a serious debate going on in the filmmaking community whether the recently-released DaVinci Resolve 12 Studio (along with the free DaVinci Resolve 12) is already good enough to be predominantly utilised as the ultimate all-in-one post-production solution that can handle entire projects from start to delivery.

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